a.e.Hotchkiss Photography |

So, it’s finally happened.  Years of preparation, thought and creative gestation has given birth to my pride and joy:  Little Eye Designs.  ”Little Eye” is the all encompassing term for anything creative I do, but the design aspect is what I’m most excited about.

This is just one example of the designs I’ve been working on, but basically they’re my original photographs set in bottle caps and featured in hair clips, pins, magnets, necklaces and earrings.  Psyched!

I’m super excited about these and have already secured several accounts at some great Maine shops.  The following is a little more about them.

-Nova G on Forest Ave (Portland, ME) features consignment clothing picked for its uniqueness (is that a word?!)  Featuring original fashions from Holly and Jen and a wide variety of accessories from lots of local artists.  Click this link to visit.

-Roots and Tendrils on Cross St. in Belfast, ME is an alternative arts space and gift shop/gallery featuring some amazing Maine artists.  See Bub and Meg’s website here.

-Find on Free St. (Portland, ME) is Portland’s newest consignment shop and has the BEST selection of vintage clothes around.  They also have GREAT cowboy boots…every time I go there there’s something new.  They don’t have a website yet, but you can call (207)699-4285 to talk to lovely Laura or one of her amazing staff.

-Paper Moon on Main St. in Westbrook, ME is the home of Jan and Andy Curran (also Maine artists) and their shop is chock full of very tactile, unique pieces.  Put your mouse here and click to visit an interview with them!

So all in all a pretty great start to 2010.  Much more to come soon, and I promise to update this site a wee bit more often than I have in the past!

I am old-fashioned. Functions of this personality trait point to my 1950s living room set, my inability to properly use a cell phone and general anxiety when there are more than five new emails in my inbox. Professionally, it gets a bit more complicated: in an industry that has changed so much in the last ten years with most photographers choosing to “go digital” I have not only chosen to “stay traditional” but, upping the ante a bit, exclusively use a camera that was widely used in the 1950s and 60s. The old lens, heavy body and unique frame are perfectly romantic ways for couples to remember perfectly romantic weddings. This particular apparatus, a twin-lens reflex, is good for making eye contact with subjects while taking the picture. It’s a great conversation starter when I’m getting to know clients for the first time. When I really got to thinking about it, though, I decided my favorite feature of this camera is this: the pictures it takes are square, perfectly proportioned photographs with totally equal sides.

How appropriate, then, my ears, eyes and heart have been turned to an area of our culture (and my occupation) where equal sides do not exist. An oversight, I hoped, by our modern culture that has overcome discrimination towards marriages based on race, religion, creed, or color. Still somehow there are scores of Americans limited by archaic laws and half-compromises across the country because, actually, the church and the state have snuggled up inextricably despite their original intention to “just be friends.”

Because I am traditional to a fault, I believe marriage should be a lasting commitment, complete with setbacks, struggles and so much communication that your voice box gets sore. I also believe that anyone, male or female, straight or not, is capable of and entitled to this kind of love. I have watched (and documented) my fair share of weddings: young and old, shy and outgoing, funny and serious, religious and non-secular, straight and gay. At every one I am always struck by the uniqueness of the couples, their individual personalities and the way they change for the better when they come together. This observation and admiration comes independent of their ability to fulfill what the bible and some churches require for their commitment to be a “real” marriage.

I have no ultimate answers – and I am by no means a politician. My voice comes out on the matter as just one of many, many people in our state and in our country who support rights for everyone so that the political and cultural picture will soon have equal sides, too.

For any brides and grooms out there who might be hoping for an outdoor wedding, I just want to put this out there: I am good luck. I’ve never photographed an outdoor wedding that was sullied by a downpour. Alisa and Natasha’s wedding was witnessed in a mere drizzle, which actually made the photographs even better what with the really neat clear umbrellas they had on hand. So what I’m trying to say is: I’m a sure thing.

I’ve been putting a lot of work in to developing my wedding work and packages. A photographer with a bit of a “if this worked fifty years ago, it should work today” attitude, I’ve added a flash (!!) to my equipment list so I am now able to shoot indoor and nighttime weddings with my medium format (square picture) camera. I’ve also enlisted the aid of a small ladder to get the angle on dancing shots that I’ve always wanted. Most importantly, I’ve developed packages for engagement photography, wedding invitations (photographic greetings), wedding photography and album services that make it very easy for couples to not have to worry about coordinating all those things on their own. Prices and descriptions to come, soon!

I’ve also been pondering the fact that my first initial, middle initial and last name are not the easiest things on earth to remember and have been toying with the idea of actually naming my freelance photography work.  One thing that came to mind was that all the equipment I use belongs to dying art forms and photographic processes.  Using film, old cameras in odd formats and rickety equipment held together with fishing wire is more endearing than it sounds in black and white.  I love it.  I thought because of that “Dinosaur Photo” or Dino Photographics might be apt…what do you all think?  I’m open to suggestions, send ‘em my way!!

If you have any questions regarding wedding photography for yourself or for information for a friend, please email me at aehotchkiss@gmail.com - thanks for visiting the weblog!

It’s officially summertime, and although the rain clouds don’t seem to have gotten the memo, summer means a number of things for yours truly.

In addition to wedding work, which is incredibly fun and challenging, I’m balancing the stress and responsibility of helping couples remember their wedding day by photographing the farmer’s markets whenever I get the chance.  Other topics of interest have been clouds, power lines, and bumblebees.  Pictures to come!

Hey graduating class! With the excitement of summer vacation setting in, keep your ears/eyes peeled for a photographer that makes work that YOU like when looking for someone to do your senior portraits. I can’t express how important it is to have photographs that illustrate who you are as a person, especially when granted all that real estate in your senior yearbook. Pick a photographer who is open-minded to your suggestions of location and wardrobe, not someone who is going to default on bringing you to a lighthouse or a grassy field without considering your personality and wishes first!

Whether you see yourself in a diner, abandoned train car, waterfront, soccer field, graveyard, rooftop, parking garage, lobster boat, or riding no hands on a bicycle (or ANYTHING) else, I’m available for Senior Portrait Sessions through September (or later, if necessary) to collaborate with you on the perfect photo shoot. And I have a special deal on sessions for Yarmouth High School students, too!

Please see my Picasa portfolio for examples of my work (which can always be tailored to you):

http://picasaweb.google.com/aehotchkiss

Pricing is as follows:

1 Hour Session: $95

2 Hour Session: $160

You’ll get all your photos on a CD of high resolution images and if you are a Yarmouth High School student you will get 2 free 8×10″ prints. 1 Hour sessions are perfect for one-on-one photographing, but if you want to pair up with a friend and split the cost a 2 Hour session is perfect!

You can email me at aehochkiss@gmail.com or call (617)680-3187 (cell phone) to make an appointment!

Relevant Monthly Photo Tips: Prom Pictures

It’s May, everybody, and addition to the flowers, margaritas on the cinco and college graduation guess what else happens?! Prom!

Aside from conjuring the inevitably fond and/or embarrassing memories in anyone over the age of 19, this is an opportunity for people to make gorgeous photo album memories rather than raising the question “What was I thinking?!” 10 years later when faced with a unique green chiffon number on yours truly while standing in front of a last-minute backdrop of a half-dead flower bed in the front yard. True story.

Today I had the honor of photographing my little brother with his girlfriend on the way to prom. The experience was important for two reasons: one was experimenting with a new kind of portrait sitter (teenagers) but two was the reward in making memories for the people I love. So we set out in his hot red Mitsubishi 3000GT to Pratt’s Brook in Yarmouth. While the rain clouds were looming and the spring flies gathered if we weren’t quick on our feet, I’m pretty sure I got some good shots for Dylan and Kelly to remember for a long time.

Here are some tips on getting winning prom pictures that are photo album and Facebook-ready for when the kids get home:

1. Plan ahead. Things usually get pushed back on prom day, depending on hair appointments, last minute wardrobe fixes and coordinating several teenagers to meet in one location (yikes). Anticipate everyone being late, so if you want them to meet for photos at 4:30, tell everyone that it’s 4pm. You can get extra pictures of whoever shows up on time, but still get some group shots at 4:30 without pushing back dinner reservations, limo drivers and arrival to the prom.

2. Be bold. Teenagers are teenagers and while it’s tempting to try and catch glamour shots the truth of the matter is what’s so wonderful about prom night is the youthfulness these guys have. Whether you’re photographing a boyfriend and girlfriend or a group of girls or boys all getting ready together, make sure to let them have fun, make funny faces at the camera, and do “silly” shots in addition to some more dashing, gorgeous, romantic photographs.

3. Choose a backdrop carefully! Pick a well-lit space and try to schedule for photographs before the sun goes down. Try not to use flash if at all possible. Choose possible locations ahead of time that aren’t “typical” (the park in town everyone goes to, or the lighthouse that is in every Maine post card from York to Kittery). You want your prom pictures to be unique. If you can’t drive to a location due to time or logistics, pick a neutral spot in front of trees, water, the yard, etc. Some cameras have built-in portrait features or, on a film camera you can adjust for a really low aperture (f5.6 or lower) which will blur out the background a bit if it’s not picturesque. Just make sure not to have any tall trees in the background sticking out of anyone’s head! Make sure the backdrop compliments the prom-goers’ personalities (i.e. skater kids can be photographed in front of graffiti and future poets of America are totally fine in a graveyard).

4. It’s all in the details. After years of photographing weddings, I’ve realized that sometimes the best shots that are the most memorable are of the details that a good amount of thought went in to like floral arrangements, center pieces, jewelry, footwear and the food spread. Similarly, photograph a curl of hair falling near a pearl earring, a rose corsage on her hand near his red vest, or snazzy cuff links poking out of tuxedo sleeves. This will give visual space in a series of images and really complete the picture of prom day, not to mention tip the hat to the expensive boutonniere which took thirty minutes to pick out.

5. Hire a photographer, if you can. This “tip” seems like a little bit of a cop out (my being for hire for prom pictures and all!) but what I mean is try and have someone other than Mom and Dad be the photographer. No doubt on prom day the last thing a 17 or 18 year old daughter wants is for Mom to get behind the camera and command that her boyfriend kiss her. Hiring a photographer or someone who is comfortable with cameras will give your kids the opportunity to relax a little while taking professional direction and yielding some really great photographs.

So there we have it, some quick tips at effective prom photography. Dance a lot, look great, ride in style and above all, be safe.

…Crazily busy.

Maintaining a blog has confirmed my initial anxiety that “blogs” actually do require work, care, insight and humor that I can’t always muster when I’m zonked out in front of the computer screen.

Originally this entry was going to be about what to look for when looking for a wedding photographer. Helpful? Yes. It will be. Stay tuned, because that one will be coming, but for now an update because, like the headline says, The Girl Is Crazy.

April 2009 has brought so many EXCELLENT changes to a.e.Hotchkiss Photography and the entity behind it: one Audrey Emily Hotchkiss. Just like any kind of change it is wonderful, terrible, awe-inspiring and obnoxious all at once. Let me elaborate.

Change #1: MOVING THE STUDIO. Okay, this is a positive thing because Megan and I are developing a really clear vision for how we want to present ourselves, we are setting up a home away from our respective homes in order to take our work more seriously, and we are investing time and effort to make the space truly unique before First Friday (p.s. Come see us, First Friday May 1st between 5pm and 8pm, Room 302 State Theater Building, toast at 7pm). It is not positive for the following, childish reasons: I am going to miss distracting myself from my work by talking to Krista, Erin and Jane in our old studio, I have to move a boatload of crap from the 5th floor of the State Theater building to the 3rd floor, and painting (while calming) is more work than someone as busy as I am can handle.

Change #2: MOVING MY APARTMENT. A moot point. Apparently somewhere in the rule book it says I have to move at least once a year. Awesome because rent is going down but not awesome because, you guessed it, moving things is so exhausting.

Change #3: WEDDING SEASON. Score! Having lots of work to do is way better than trying to find lots of work to do. Wedding season kicks off in May with my first gig and I am so excited to get behind the camera and start makin’ some memories. This really has no downside except that I don’t eat, sleep or see people when I’m in post-production. Oh well, at least I’ll have a nice new studio!

So with these changes in play and the weather warming up things are looking pretty positive pretty soon. While I am pretty much running around like a chicken with its head cut off until First Friday is over I’m way more in to that than having nothing to do with myself but play video games and wait for the snow to melt!

A nice end to this autobiographical entry (less helpful, more entertaining!) might be an update on the work that I’ve been doing recently. In addition to taking some pictures of a hypnotic kite at bug light the other day (pic to come soon).

I have been doing work for Joel Platz, a furniture maker in town, who I bumped in to at the coffee shop one day. Images from the first shoot can be seen here. He hooked me up with his brother, Jeff, a guitarist from the Boston area who needed some photo work done last weekend for a gig with Daniel Carter, so pictures from that are soon to come, as well. Great group and wonderful experience shooting at Peapod Recordings in South Portland.

Zoinks!

Aud

When I first moved (back) to Portland, I was stepping outside of my comfort zone for a number of reasons. After all, in Boston I was considered the most valuable of retail and food service terms, a “regular,” at many important places. I was remembered at restaurants, cafes, bookstores and, most importantly, my photo processors and suppliers.

The challenge of becoming a regular is not having the staff remember your regular order or your name, but to find a place that is worthy of your valuable time and dollars.

In Boston, my regular haunts included Hunt’s Photo and Video in Harvard Square…their manager being a semi-regular lemon tart buyer at the bakery I worked at, as well as a cohort on the same bus line the year I rode the 69 Metro along Cambridge St. to get to work. They had the best selection of 120mm and 220mm film a girl could want and, on occasion, color and black and white printing papers for the darkroom at school.

For film processing, I had the luxury of being less than five miles from Color Services, Inc. in Needham, a film processing business that used to pick up from the photo department at school, who after my graduation got very familiar with my perennial order: “220mm, C-41 processing, develop only, do not cut.”

So when I relocated and I began shooting shortly after I was truly at a loss for where to go for all my photographic needs. Enter Ritz Camera, Monument Square.

I’m totally aware of the fact that they, like Hunt’s Photo and Video in Boston, are part of a quasi-chain which I usually am wary of, if only for the fact that chains and franchises are often known for hiring under experienced employees who are, consequently, easy to under pay. Not so at Ritz in Monument Square, on my very first interaction with them I found them to be overly accommodating and equally interested in the arts as they were in selling flashy digital cameras (not my forte).

Over the course of the thirteen months (to the date) my periodical visits to the store extended way beyond the familiar transaction: “Develop only, do not cut.”

The staff were obviously so enthusiastic about photography, even the dying breed of film photography that I prefer. More importantly they were enthusiastic about human relationships and engaging in conversations that went far past the protocol for customer/sales associate relations. I’ve learned about their work experience, their hobbies (including wrestling!!), their cats, their children and many other things.

I became a regular!!

About a week ago when I went in to drop off a roll of film from the “Logan on Munjoy Commons” shoot (see “wet noses and whiskers” entry) I was informed, devastatingly, that it was going to be my last.

For reasons it would be inappropriate to go in to here (not knowing the full story, and out of respect for the people who’ve made my career so smooth and easy for the last year) they were to shut down the Monument Square location, leaving the last remnant of Ritz Camera in Maine secluded to the Maine Mall in South Portland, a ghastly 10 minute CAR ride out of town!

Up until now this business of a down turning economy and recession was merely a distraction that I, struggling anyways to start a business and already earning near minimum wage at my “day” job, was insulated from. But the sudden and very real threat of something I’ve come to know and love ending has been eating away at me for the last few days.

More than mere convenience, I am sorry for the life change that this forces for people who are obviously very proficient at their work and excellent at customer service or…taking customer service one step further: people service. Because I can honestly say that I never felt like a “customer” going there, I felt like I was part of the group.

The store is in liquidation process, and depending on how successful they are at emptying inventory, the store will be open for the next 7-8 weeks (or more, if they do better than other locations). Items are on sale between 10% and 30%, and they’re offering coupons for a discount on processing at the location at the mall (right outside of Best Buy, take your first left, if my memory serves me correctly). The more business they feed to the mall, the more chance of more jobs being needed there. I’m happy to make the extra trip to the mall (instead of walking downtown in the summer sun) in order to support their business. You should, too!

I implore you, if you’ve been thinking about buying a snazzy digital camera or some photo albums or picture frames…or display cases or ANYTHING, please, please visit the Monument Square Ritz and tell them Audrey sent you.

That’s all for now,

-a.e.

April has, so far, been the month of wet noses and wispy whiskers. With the thaw of the North East came a flourish of inquiries for all things four-legged. So far, I’ve had the opportunity to photograph two puppies, a kitty and am in the process of making my way to a horse farm south of Portland to do some work there

Animals are hands-down the best subjects to photograph. Although sometimes it takes the strategic placement of a tennis ball, dog bone or feather toy I am ultimately capturing the real personality of the subject, who is completely free of being self-conscious. Babies and young children are like that, too, but more on that later.

The spree began in late February when Alabama joined a couple on their engagement photo shoot, so at the end while they still had my time I photographed an entire roll of the very giddy Keeshond. I changed the photographs that resulted from color to black and white (per the request of the clients) which have a really soft look to them…partially due to the very short depth of field but mostly due to Alabama’s amazing double coat which probably kept her much warmer than myself and her owners on that wet February day!

Alabama’s shoot was so satisfying to me that I pursued more pet-specific work. I was lucky enough to come in to contact with Logan, an 8 ½ year old yellow lab, father of two litters and as energetic as a puppy. The technique we used to capture Logan’s attention was to hold a tennis ball as close to the camera’s lens as possible (thank you, Jess!) in order to keep him still for the shots, which although they were shot at a relatively fast shutter speed would have ended up blurry if he wasn’t so focused on fetching!

Coincidentally, April is Pet Appreciation month and the coffee shop I work at is having a Pet Photography Contest with suggested donations of $1 to a pet re-homing shelter. If you’re interested, you should stop by and see us with your photograph for submission as well as a dollar (or more!) to donate. Additionally, if you need a photographer to take that photograph, well…I’m your girl!

Taking pictures of our furry families is, for many people, the amateur photographer’s dream. You can stay in your home, the subject is more than willing to be the object of your attention, and the pictures that result will inundate your refrigerator and make your coworkers go “Awww” every time they pass your desk.

Here are some tips for amateurs and professionals alike for taking successful pictures of pets:

1. Team up with someone. Unless the cat, dog, lizard, horse, etc. is asleep, animals move unexpectedly and, with the exception of some well-trained dogs, don’t exactly take direction the way human subjects do. Having an additional helper armed with treats or a favorite toy will keep the attention of your subject and make it much easier to get a good shot.

2. Get close! So many times I’ve seen pictures of animals doing cute things from way too far away. For example, how distracting is a cat snuggling with a stuffed animal on a bed with a floral duvet and posters on the bedroom wall? The picture you’re really trying to get is the cat snuggling with the stuffed animal…so cut out the duvet and the posters and you’ll have a much better picture on your hands.

3. Exercise your subject first. Action photography can be very fun with animals (a dog catching a Frisbee, a horse galloping) but is not something I’d recommend for the beginning photographer. Shutter speeds and camera work are complicated and need to be practiced, so make sure your subject has already been exercised before starting to take pictures. As you get more comfortable with your camera and your subject, feel free to try and take pictures of jumpy giraffes and giddy parakeets.

4. Be patient and take twice as many pictures as you think is necessary. While potentially all pictures of animals are ‘cute,’ there are definitely some shots that are more striking than others. Don’t be afraid to wait until a head turns just so, a tail flips the way you want it, or one paw lifts off the ground. Take two pictures of every pose – they’ll be subtly different and sometimes that makes all the difference. Some digital cameras have multiple exposure settings (three boxes with corners overlapping) that might be helpful to take photos in rapid succession to up the chances of having a winning shot.

If you have any questions for me regarding pet photography techniques or if you are in the Greater Portland area and are interested in pricing for a session, please email me at aehotchkiss@gmail.com